Showing posts with label True Widow. Show all posts
Showing posts with label True Widow. Show all posts

Monday, December 26, 2011

7.) As High As the Highest Heavens... - True Widow (Top 20 Albums of 2011)












As High As the Highest Heavens and From the Center To the Circumference of the Earth
True Widow
Kemado Records.


On the eve of a trip to New Hampshire, I discovered True Widow’s new record streaming on NPR. Thanks to the Texas band’s PR, SCQ had As High As the Highest Heavens And From the Center To the Circumference Of the Earth downloaded in time for the early spring visit. Sometimes in life we find experiences that were meant to collide; listening to the bone-trembling low-end of True Widow among New Hampshire’s rocky, mountain-covered terrain was certainly one of those mergers.

Although originally sucked in by the ferocious feedback of ‘Jackal’, it was the trio’s melodic frays – existing on the edge of their heaviness – that kept bringing me back. At once chugging and harmonious, ‘Skull Eyes’ perhaps best represents the pop-like extreme of True Widow’s sound. What dominates the rest of the album are slow-core meditations expounded by sleepy boy/girl vocals and imaginative songwriting. ‘Blooden Horse’ encircles a more straightforward metal song masterfully, with crisp extended passages that feed the song’s deep lungs, whereas ‘NH’ (yeah – no shit) adds subtle production on its burdened chorus until it approaches redemptive glory. When it’s finally said and done, True Widow earn this record’s epic title. 

Wednesday, April 20, 2011

As High As the Highest Heavens and From the Center To the Circumference of the Earth - True Widow









As High As the Highest Heavens and From the Center To the Circumference of the Earth

True Widow
Kemado Records.




SCQ Rating: 79%

On the eve of their debut release, I excitedly directed a friend to True Widow’s blog, which features teaser videos and band-written preambles. As someone sensitive to video’s ability to coerce music into a lifestyle brand, I’ve since sort of regretted providing that link. Don’t get me wrong: the videos are well executed and provide visceral photography of the band’s latent intensity, but they also offer a deductive first impression. As High As the Highest Heavens and From the Center To the Circumference of the Earth should be the statement in these videos, and not merely a soundtrack for the shots of tattoos and spliffs that garner ample screen time.

No offense intended to skin-ink or weed – both have a deserving spot as accessories on rock’s mantle – but those videos merely overstate what True Widow’s full-length already illustrates on its own: dark and powerful snapshots of a sprawling Americana. From the thunderous low-end that brings ‘Jackal’ to life, this self-described “Stonegaze” band wields genuine intent, merging a heavy dissonance against Nicole Estill’s understated coos. The effect – both cutting and comatose – proves a launching point for the remainder of the disc, which gravitates toward both the epic (‘Boaz’) and straightforward, metal end (‘Night Witches’) of the band’s scope. Although Estill’s voice ushers As High As the Highest Heavens and From the Center To the Circumference of the Earth into earshot, Dan “D.H.” Phillips handles the majority of vocal-duties from here on in. His first cut, ‘Blooden Horse’, happens to be the record’s best; a bare-boned electric guitar progression – reminiscent of Sun Kil Moon – which carries the band’s looming squall. A surprising amount of melody survives the record’s incessant growl, however, some of it chiming in like the heroic guitars that rise over ‘NH’, other parts soaring like the backing-vocals on ‘Skull Eyes’.

What’s so captivating about True Widow, in both set-up and songwriting, is that nothing here seems contrived or embellished. This trio feels no need to decode the cryptic nature of their lyrics, to dress up or excuse their heaviness as anything other than honest expression. And this core strength abolishes all that’s superficially interesting about the band. I don’t understand how any high person can listen to a track like ‘Doomseer’ without ending up in the fetal position but, clearly, True Widow’s “Stonegaze” has its sights set. As High As the Highest Heavens and From the Center To the Circumference of the Earth's purpose reverberates far further than even its title suggests.