Kindred EP
Burial
Hyperdub Records.
SCQ Rating: 79%
Last spring’s Street
Halo was very much a victory lap. Brisk but powerful, it procured enough subtle
tricks to warrant a pat on the back for progressive leanings but essentially
cemented the same sound we’d all lost our shit over four years prior. That’s something
worth celebrating, even in the wake of dubstep’s mainstream perversion; the convincing
evidence that insists Burial remains the sole proprietor and executioner of
such a gritty, bleak and yet beautiful palette of urban restlessness.
Barely a year on,
the mysterious beat-constructor returns with another three-pronged EP of
sprawling, nomadic dubstep and the results are equally breathless. Kindred EP expands
upon its predecessor’s spacey dimensions – in such a way that Street Halo’s longest
run-time in effect becomes this EP’s shortest – and that aural real estate
affords weightier compositions. “Loner” breaks from Burial’s trademarked
wood-block approach by instilling a comparatively simple drum-machine loop to
feed a flurry of samples and morose-keyed momentum. “Ashtray Wasp” preserves
that drive, with four-by-four beats thudding beneath a wide array of voices and
murky instrumentation, but it’s the title track that really steals the show
here. “Kindred”, besides incorporating some industrial noise to its edges,
probably boasts Burial’s best use of vocal samples ever, creating an esoteric
link of voices that form one devastating hook after another.
Burial’s wise enough
to steer clear of laying down too much at a time but by occasionally stripping
his compositions down to scratch, he occasionally risks dropping his audience
into structure-less limbo. “Ashtray Wasp” takes that permanent detour,
presumably as a means to avoid overwhelming listeners, and the track’s piano-led
ending – a pale echo of its earlier force – ultimately deepens the artist’s
craft (although perhaps at the expense of his fans’ expectations). No matter
how you hear it, Kindred EP won’t resonate like another unexpected victory lap,
instead presenting itself as a complicated evolution that nonetheless reasserts
Burial’s reign over all things dubstep.
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