Flumina
Fennesz + Sakamoto
Touch Records.
SCQ Rating: 83%
Although few names
feature as prominently in the realms of textured ambience and classical piano
as Christian Fennesz and Ryuichi Sakamoto, respectively, it would be
disingenuous to assert that the duo have gotten the proper mileage out of this collaboration.
It’s true that their shared work has sustained itself on engaging and
atmospheric compositions but Fennesz and Sakamoto have also preserved a
submissive approach that critics accuse of condoning the creation of “background
music”.
If the sum of these
composers’ parts has felt somehow less than their prolific individual halves,
Flumina will change no one’s opinion on first approach. These twenty-four
tracks, numbered instead of named and spread across two discs, would hang
together the same way had you shuffled them blindly and played it through. What
Flumina lacks in punch and precision, it makes up for with flow; taken in
handfuls or in the full two-hours’ worth, this body of work shapes itself into
an ocean of ambience – impossible to navigate and overpowering.
Describing
highlights in this case would be a waste for words; each track ruminates on a
strict palette of haunting ambient smears and piano that, whether meandering or
building, works effectively. Once it has been digested over the course of
countless listens, Flumina’s many tracks condense from a uniform and overlong
sleeper into something radiant and compositionally eclectic. For those who lack
the patience, however, this generous offering from Fennesz and Sakamoto should
only cement opinions – namely, that Flumina is nothing more than accumulating
mileage.
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