Bone Soldiers
Baby Eagle & The
Proud Mothers
You’ve Changed
Records.
SCQ Rating: 68%
In Skeleton Crew
Quarterly’s review of Baby Eagle’s 2010 full-length Dog Weather, I identified
key factors that simultaneously enamored and repelled my interest as a
listener. It was confusing; on one level I continued to listen as if hoping to
decode some latent but lasting hooks from the mud, on another level I was
marveling at the impossibility of succeeding.
Bone Soldiers, a
follow-up credited to Lambke as well as The Proud Mothers (consisting of Marine
Dreams’ Ian Kehoe and Grey Kingdom’s Spencer Burton, among others), delivers
more blistery rock of the same vein, which again finds me deliberating the
merits of Baby Eagle’s musical vision. The critiques remain the same: confrontational,
messy arrangements and nasally, conversational vocals dominate the title track.
Yet Bone Soldiers’ sequencing presents an increasingly subdued collective,
moving from the stripped-back feel of “Old Punks” to the controlled, summer
evening pulse of “Hard Truths”, and that intimacy throws Lambke’s unique
songwriting into fresh relief. Featuring arrangements decidedly more open-aired
than those on Dog Weather, songs like “Rebel Crimes” and “Brave Women” find the
group reaching for the same irresistible rhythm – the former resulting in a
choral climax, the latter in tightly motivated classic rock licks.
Lambke remains
largely disinterested in commercializing his aims, and that’s respectable.
Recorded and mixed over three days last October, Bone Soldiers retains Baby
Eagle’s livewire impulse of firing out records with the efficiency and energy
of a jazz set, frill-free. Whether that approach renders the accessible tracks
here as flukes or prophesies, I can’t say, but there’s little denying that Baby
Eagle is beginning to worm its way toward my heart – like a hard-fought love or
a teasing storm.
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