Paper Beat Scissors
Paper Beat Scissors
Forward Music Group.
SCQ Rating: 74%
It’s rare to hear an
act entering Canada’s cliquey music scene in such fine company, especially when
the principal songwriter boasts an accent that comes from neither our Pacific
nor Atlantic coast. Despite spending his first quarter-century in England, Tim
Crabtree’s debut full-length boasts contributions from a variety of Canadian
indie-rock alumni, including Pietro Amato and Mike Feuerstack (of Bell
Orchestre), Sebastian Chow (Islands) and Jeremy Gara (Arcade Fire). Handy chaps
to have around, no doubt, but none of their invaluable input dissuades Paper
Beat Scissors from being foremost a noteworthy showcase of Crabtree’s songwriting verve.
The emotional
urgency at play over these eleven songs isn’t only ripe for the first-time
listener; it’s rooted foremost in Crabtree’s guitar and vocal prowess. The
balladry of “Rest Your Bones” calls to mind the raw fringes with which Damien
Rice once danced, whereas on “Be Patient” Crabtree lilts above the measured
rhythms without settling for complacency. Behind his voice, which wavers
between unrestrained and careful approaches to the confessional, lush rock
atmospheres breath melodic touches into “Ends In Themselves” and “Watch Me Go”.
These symphonic additions iron out some of Crabtree’s grueling intensity,
making for a more dynamic and listenable record even if its source material
circles the same well too often. That argument could be made in reference to “Keening”,
where Crabtree and the terse instrumental build backing him almost sound
competitive as opposed to complimentary. There’s more than enough catharsis to
go around on Paper Beat Scissors but its potency will certainly win more fans
than it’ll lose.
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